Man, the things we
did for accuracy. In response to the last question, "the
weezie" was a ritual Jaime had
to
endure every gig. Being a fair haired boy, we needed him to become a
Cat Man. He got the darkened look with a spray-on hair dye he found at
the Hollywood Toy Store. The poor man had to apply this shellac,
suffer through the set, then dunk his head in a tub of water at the
end of the show to remove it. If you look carefully at live photos of
Jaime, you can see the shiny black rivulets running down his face
paint, tormenting him.
But the show
must go on.
Before one gig
in San Luis Obispo, we lost a crew member. Driving back from
the hotel, the cops pulled us over. Ant and I were seated on the
floor of our rented cargo van, with Jaime riding shotgun
and crew member Johnny in the driver's seat. The cop told us our back
light was out, we explained it was a rental, oh, that's ok, cool, you
guys are COLD GIN?, I'm going to the show later, blah blah blah, and he was ready to set us
free when his dispatcher told him about Johnny's past.
When we had
stopped, the cop went through his routine and Johnny told the officer
his license wasn't on him (we later found it
and a bulging bag of weed purposely left under the
driver's seat - big points to Johnny for quick thinking). Our
beleaguered tech's excuse was: "it's at the hotel, uh, on the side of
the road, or whatever". While
they asked him
to get out of the van and elaborate, my job was to report on his legal
progress as the officer spoke to him in another corner of the parking
lot. Here's a glimpse as to how the event was relayed:
"OK, they're
talking to him. He's raising his hands in the air in protest. OK, he
did it again. It looks
like he cannot believe whatever they're telling him. OK, he's turning
around. Uh, he's now being handcuffed and put in the back of the
cruiser. Oh, boy, here's comes the arresting officer. Now what?"
Jaime thought I
was kidding, but when the cop showed up at the window and told us
Johnny was going with them to the hoosegow due to an outstanding
warrant, we were on our own. We did the gig, sans Johnny. We then headed
back to the hotel, sans weed.
The next
morning, while enjoying our free continental breakfast, an old 60's
hit played over the dining room PA: Bobby Hebb's Sunny. Saint
and I found this too good to pass up and started performing our own
version, with a
nod to last night's arrest.
Johnny...don't
you tell the cops that you got some weed.
Johnny...a tech
in jail is something that we don't need.
Now you ride
with the cops, and you're heading to jail.
And if you do
drop the soap, you best cover your tail.
Johnny, what can
you do, they got you...
With each verse
we'd go up, modulating like the original version. It provided an
unending set of lyrical possibilities and we kept it up through the
whole meal. We finished guffawing and headed towards the van. Once in,
we got our bearings and the singing started again.
Jaime and I
became inspired with each passing minute, and carried on for about
forty miles until we noticed Tommy was slumped over the wheel. As our
designated driver, Bison was laughing so hard he had no muscle
control, and was in danger of running off the road and ending our
careers.
"STOP! STOP IT
YOU GUYS, BEFORE I KILL US ALL..."
It wasn't a
threat, it was the truth. He was laughing so hard, his eyes were
completely teared up. A folded in half driver isn't really a safe way
to travel at 75 miles an hour, so Jaime and I realized that to stay on
this planet we had to stop the music. At least for the moment. We'd
drop "Johnny" into soundchecks, dinners, and phone calls
whenever we got the chance. And when Johnny returned from his time in
stir, it would start all over again.